
Sounds and
Explanations from TV Versions of the Opening Theme

If you visited
the “Special Versions of the Theme” page, you may have noticed that there
weren’t any “Theme 1’s” on the page (besides the Prost Helmut theme). That’s because Theme 1’s are themes actually
used in the show, as the opening theme, and that’s what this page is all about, including being able to download them!
This page is
also the “Sounds and Info” or “Sounds and Explanations” page, mentioned on
other pages.

Main Info
“Where
Everybody Knows Your Name”
Song and Lyrics by Judy Hart Angelo and Gary Portnoy
Sung for the
show by Gary Portnoy

Ř
Keywords
·
Other
Did
you know that for the actual TV themes (actually used as opening themes on the
show), there were only 3 different recordings? And while there are 14 different themes here
(on this page), they all stem from one of those 3 original recordings? Before I start listing them and stuff, and throwing
all kinds of terms at you, here are some words you might need to know:
ORIGINAL
VERSE 1:
Singing the blues when the
home teams lose
It’s a crisis in your life
On the run ‘cause all your
girlfriends
Wouldn’t you like to get away?
VERSE
1:
Making
your way in the world today
Takes
everything you've got;
Taking
a break from all your worries
Sure
would help a lot.
Wouldn't
you like to get away?
VERSE
2:
All
those night when you've got no lights,
The
check is in the mail;
And
your little angel
Hung
the cat up by it's tail;
And
your third fiance didn't show;
REFRAIN
1:
Sometimes
you want to go
Where
everybody knows your name,
And
they're always glad you came;
You
want to be where you can see,
Our
troubles are all the same;
You
want to be where everybody knows your name.
VERSE
3:
Climbing
the walls when no one calls;
You've
lost at love again.
And
the more you're down and out,
The
more you need a friend.
When you long to hear a kind hello.
VERSE
4:
Roll
out of bed, Mr. Coffee's dead;
The
morning's looking bright;
And
your shrink ran off to
And
didn't even write;
And
your husband wants to be a girl;
REFRAIN
2:
Be
glad there's one place in the world
Where
everybody knows your name,
And
they're always glad you came;
You
want to go where people know,
People
are all the same;
You
want to go where everybody knows your name.
OUTRO
REFRAIN:
Where
everybody knows your name,
And
they're always glad you came;
Where
everybody knows your name,
And
they're always glad you came…<REPEATS AND FADES>
REGULAR
REFRAIN:
Sometimes you want to go
Where
everybody knows your name,
And
they're always glad you came;
You
want to be where you can see,
Our
troubles are all the same;
You
want to be where everybody knows your name.
You
want to go where people know,
People
are all the same;
You
want to go where everybody knows your name.
SHORT REFRAIN:
Sometimes
you want to go
Where
everybody knows your name,
And
they're always glad you came;
You
want to be where you can see,
Our
troubles are all the same;
You
want to go where everybody knows your name.
REGULAR THEME:
A theme that used Verse 1 and
the Regular Refrain
SHORT THEME:
A theme that used the Short
Refrain
SINGLE VOCAL TRACK:
During the words “Sometimes you
want to go” and “You want to be where you can see…”, you can only hear one
vocal track (sounds like only one person singing)
DOUBLE VOCAL TRACK:
During the words “Sometimes you
want to go” and “You want to be where you can see…”, you can hear two vocal
tracks (sounds like two people singing)
MONO:
Monaural sound; sound is heard
through only one audio channel, making it usually have a flatter sound
STEREO:
Stereo sound; sound is heard
through 2 audio channels (left and right), making it sound more realistic and ‘fuller’;
now, there is multi-channel sound (more than 2), but it is for high-end stuff
only (a.k.a. not TV)
THE MELODY:
The main vocals ALWAYS sung by
Gary Portnoy, usually around the same range of notes
THE HARMONY:
The vocals sung ABOVE the
melody, sometimes sung by Gary Portnoy, sometimes not; different notes, and
only during the words “Where Everybody Knows Your Name” (ALL times it is sung)
and “And they’re always glad you came” (in the beginning of the refrain); Note
that the “Ah-ah’s” sung in the 2nd part of
the refrain were NEVER sung by
REMASTERED:
There
seems to be a lot of confusion on this subject, so I decided to clear it up
here; In August 2001, Paramount went through every original Cheers tape and
‘digitally remastered’ them, meaning they made the picture AND sound crisper
and clearer. This is what N@N is
currently airing. The reason they did
this (and the reason the originals had such bad quality) is because the tapes
they had recorded the show on
originally were stored in bad conditions, and the tape themselves were of bad
quality. Also, seasons 1-3 (and possibly
a few later episodes?) , which were in MONO, were converted to STEREO.
UNREMASTERED:
The original way the show
looked and sounded; the picture was a lot grainier and darker and just looked
bad (lol), especially for seasons 1-3
NBC AIRINGS:
The show’s original run from
1982 to 1993 on NBC; they are unremastered
ORIGINAL SYNDICATED AIRINGS:
The show’s reruns (NOT on NBC) that are still airing today, though sparsely,
and are unremastered; The episodes themselves are the
same as NBC’s, as well as being mono or stereo, however, not all stations, when
they got the eps., recorded them in stereo (they
recorded them in mono), so if a season 4-11 stereo episode, they use the LEFT (FIRST)
CHANNEL, as if on NBC (More on this on the VIDEOS page)
PARAMOUNT HOME VIDEOS:
The episodes from the 11
volumes of video tapes Paramount released with two episodes per tape; ALL
videos are unremastered, and ALL are in Hi-Fi MONO
(NOT stereo); That also means the one sound track they use is the LEFT (FIRST)
CHANNEL from NBC, if the episode is in stereo:
Actually, of the 21 episodes in this set, there are only 3 episodes from season
4 and later(meaning in stereo), “Birth, Death, Love and Rice,” “I Do, Adieu,”
and “Home is the Sailor.” The first and
third take the left channel from NBC, but “I Do, Adieu” was different for some
reason; it merges both NBC’s right and left channels together into one. There’s no reason why. Again, the other 17 episodes were in MONO on
NBC, so the MONO tapes didn’t matter.
This is repeated below a couple of times in the sounds descriptions, BTW.
One more thing (lol)…there are actually 2 ‘releases’ of these videos, the
First 7 Volumes, and the Last 4 Volumes.
The first 7 were released first (1993), are all from seasons 1-2 (Maybe
this is why they made the tapes MONO in the first place?), have the Paramount/A
Paramount Communications Company logo on them, and DO NOT have the Master Sharp
(tape clarifier) on them. The last 4 were
released later (1995), are from seasons 3-6 (How did they choose any of these
episodes? lol), have the
Tapes released by Colombia
House, with 3(?) episodes per tape, and (?) volumes
Tapes released by
Newer
N@N AIRINGS:
The show’s current run on Nick
at Nite. Note that
they DO NOT have exclusive rights to the show, so some syndicated channels are
still airing it from time to time; episodes are the ‘new’ remastered episodes
NEW SYNDICATED AIRINGS:
These are the same syndicated cuts as the ‘originals,’ but are remastered

Like
I mentioned before, there were really only 3 recordings of the Cheers theme for
TV(for actual opening themes of the show).
This table has the 3 original recordings at the top, then all of it’s
descendents below:
|
Theme 1.1 |
Theme 1.2 |
Theme 1.42 |
|
Theme
1.7 |
Theme
1.6 |
Theme
1.3 |
|
Theme
1.11 |
Theme
1.8 |
Theme
1.41 |
|
Theme
1.12 |
|
Theme
1.5 |
|
|
|
Theme
1.9 |
|
|
|
Theme
1.91 |
All
themes from the 1st column (all themes based on Theme 1.1) were all
REGULAR THEMES. They all had a harmony
NOT sung by Gary Portnoy. There is a
strange instrument played in these versions, starting with the line “Wouldn’t
you like to get away?...” and plays through to the end
of the song.
All
themes from the 2nd column (all themes based on Theme 1.2) were also
all REGULAR THEMES. They were all in
STEREO. The harmony was ALWAYS sung by
Gary Portnoy, and is heard either equally or more so compared to the
melody. There is NO strange instrument.
All
themes from the 3rd column (all themes based on Theme 1.42) were all
SHORT THEMES. The harmony was ALWAYS
sung by Gary Portnoy, and is, again, heard either equally or more so compared
to the melody. There is NO strange
instrument. They were essentially
shortened versions of themes from the 2nd column (all themes based
on Theme 1.2).

|
This
version was used on NBC: Seasons 1-3 and the P.H.V.: Seasons 1-3. It has a DOUBLE VOCAL TRACK, and is in
MONO. Since these seasons are in mono,
the P.H.V.’s didn’t change them at all. The HARMONY is heard about equally to the
MELODY, and is used only on UNREMASTERED episodes. |
|
|
------------- |
This
version is used on Nick at Nite: Seasons 1-3. It has a DOUBLE VOCAL TRACK, though you may
not be able to hear it. It is in
STEREO, and used only on REMASTERED episodes.
The harmony is also not heard on most TV’s, because when they remastered this theme, some sound
channels/frequencies/etc. got cancelled out, making some sound hard to
hear. I have digitally enhanced the
harmony in one version, that you can download here. |
|
This
version was used on a few NBC: Season 4 episodes, and Nick at Nite: Season 4, Episode 1 (Birth, Death, Love and
Rice). It is in STEREO, and used on
UNREMASTERED episodes. It has a DOUBLE
VOCAL TRACK, and the harmony is heard almost equally to the melody. The reason this was on NBC is because the
‘new’ theme (Theme 1.2) probably wasn’t ready to be used yet, so they
converted Theme 1.1 into stereo, and used it for the first few episodes of
season 4. It was used on N@N for its
season 4 premiere, because it was unremastered (so
it naturally used a NBC theme). More
on N@N’s “Birth, Death, Love and Rice” on the
Ending Themes and Theme Picture Info pages. |
|
|
This
version was used on (maybe a few NBC: Season 4 episodes and) Nick at Nite: Season 4, Episode 5 (Diane’s Nightmare). This episode was also UNREMASTERED, the
first couple of airings, and is in MONO.
It has a SINGLE VOCAL TRACK, and the harmony is again heard almost
equally to the melody. This is really
just one sound channel of Theme 1.11 (Left one on NBC, Right one on N@N), and
since this episode was in mono (on just N@N, or NBC too?), it just used one
sound channel of the stereo version (Theme 1.11). See how this kinda
all fits together? Maybe not…lol. For more on
this episode and theme, again, see the the Ending
Themes and Theme Picture Info pages. |

|
This
is the theme used on NBC: Seasons 5-11 (and most of Season 4) and on N@N:
Season 7, Episode 4 (One Happy Chappy in a Snappy
Serape). It was only used on
UNREMASTERED episodes. It had a DOUBLE
VOCAL TRACK. As mentioned on the
Ending Themes, Theme Picture Info pages, and above (Theme 1.11) starting at
season 4, the show would be in stereo.
This was the theme they wanted to use for all of season 4, but it must
not have been ready for the premiere, so they used Theme 1.11 until this
theme was ready. It is in STEREO, and
it was recorded in the first place just to just
something ‘new,’ to ‘show off’ the show was in stereo now. This could be considered the most popular
version of the theme. Since the N@N
episode was unremastered, again, it was only
natural to use the original NBC theme. |
|
|
This
is the theme used on the P.H.V.: Season 6.
The only episode actually on the P.H.V. for season 6 or later was
“Home is the Sailor,” the season 6 premiere, and it was UNREMASTERED. It had a SINGLE VOCAL TRACK, though a
different kind than Theme 1.1 (and its ‘descendents’) had. Compared to Themes 1.2/1.8, this version
sounds much nicer, smoother and ‘flows’ better. Actually, since the P.H.V. were in HiFi MONO, using only one audio channel(Left
on NBC, Right on N@N), this is really one of Theme 1.2’s audio channels. |
|
|
This
is the theme used on Nick at Nite: Seasons
4-11. Like Theme 1.7 was a remastered
version of Theme 1.1, this theme is the remastered version of Theme 1.2, so
it is identical to it, really (but it sounds better; more ‘full’ and
reverberating). However, unlike how
Theme 1.7 lost some sound to Theme 1.1, Theme 1.8 actually DOES sound better. |

|
This
is the theme used in Original Syndication: Seasons 4-11 technically, N@N:
Season 7, Episode 4 (One Happy Chappy in a Snappy
Serape) for the short theme, and the Bob Costas
Pre-Finale show on NBC. It was used
only on UNREMASTERED episodes. It had
a DOUBLE VOCAL TRACK. This could be
called the ‘true’ short version of Theme 1.2. It
was originally recorded in STEREO (it IS
a different recording than Theme 1.2 because of the shorter length, and the
guitar at the very beginning, before the refrain starts), but was used
differently, and several times(see below themes). |
|
|
This
is the theme used on NBC: Seasons 5-11 (possibly 4?) when time was short
(when they wanted to get more commercials in, like N@N does, etc.). It is identical to Theme 1.42, except it is
in a slightly lower tone! It was
always in STEREO, however. Seasons 1-3
(possibly 4?) never had a short theme on NBC. (Note: This file kinda has a degraded sound quality. This is because I got it from an old tape,
which sounded bad. Hopefully, I will
be able to get a better one soon.) |
|
|
This
is the theme used in Original Syndication: Seasons 1-3, and the P.H.V.:
Season 5, Episode 26 (I Do, Adieu). It
was used only on UNREMASTERED episodes.
It had a DOUBLE VOCAL TRACK, and was in MONO. It is in the regular tone like Theme 1.2,
not like Theme 1.3. On the P.H.V., it
is strange because it ISN’T just the right audio channel of Theme 1.42. Maybe “I Do, Adieu” was put on the P.H.V.
tapes different, by merging the 2 audio channels, instead of just using
one? Who knows? |
|
|
This
is the theme used in Original Syndication: Seasons 4-11,
and it is actually more common than Theme 1.42 is in syndication. The reason why is because Stereo sound was
still a ‘new’ idea in the 80’s/early 90’s (though it was introduced in the
50’s!). When stations got the
episodes, they got them (ie. via satellite), and
recorded them onto their own tapes to keep.
The thing is that most stations, when they got Cheers, didn’t
regularly record in Stereo yet (just mono), so when they play them back, all
you’re getting is the left audio channel (mono)! (Sounds the same as the
right audio channel for N@N, P.H.V.; no reason why they’re switched) This same explanation can be found on Page
1 of the videos on this site, but worded differently, if you want a different
view or something. So this is the
equivalent of Theme 1.42, as Theme 1.6 was to Theme 1.2. Has anyone noticed that this explanation,
along w/ others in this site, all kinda fit
together? It’s confusing…lol. |
|
|
This is the theme used on Nick at Nite: Seasons 1-11 when time is short. It is identical to Theme 1.3, but remastered, making it sound more ‘full’ and reverberating. It is always in STEREO, since remastering turned all of the MONO episodes into stereo. It is even used on the 2 season 4-unremastered episodes (though “Diane’s Nightmare” has now been remastered). |
|
|
This
is identical to Theme 1.9, but used randomly (and rarely) on remastered Nick
at Nite episodes.
The difference is that this is in the ‘regular tone’ of the song (not
like Themes 1.3/1.9). It, technically,
is a remastered Theme 1.42. |

If
you read the part of the “Special Versions” page about “Prost Helmut,” you
might know that Germany now gets Cheers on a channel called RTL. Currently, the theme that airs on it (for all
seasons??) is just like Theme 1.2, but in the lower tone of Themes 1.3/1.9! This also has a degraded sound quality, only
because I did not get it directly from a German channel (I got it from someone
else).

This website is hosted for free by .
Get your own
Free Website now!
|